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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Faryl is the debut album by British mezzo-soprano Faryl Smith, released on 9 March 2009 by Universal Classics and Jazz. Smith rose to fame after her appearance on the second series of Britain's Got Talent and signed with Universal after the competition. The album was recorded during December 2008 and January 2009 and features the track "River of Light", a song set to The Blue Danube with new lyrics. Faryl was produced by Jon Cohen, and the backing music was provided by a 60-piece orchestra. As part of the album's promotion, Smith made numerous television and radio appearances and filmed a music video for "River of Light". Around this time, she met with then-Prime Minister Gordon Brown at 10 Downing Street. After its release, Faryl became the fastest-selling classical solo album in British chart history, selling 20,000 copies in the first four days, and a total of 29,200 copies in the first week, more than any other debut album of a classical singer. Faryl entered the UK Albums Chart at number 6, rising to number 4 the next week, and was the third album by a Britain's Got Talent contestant to reach the top ten in Britain. Smith subsequently embarked on a promotional tour in the US to publicise the album, where it reached number 6 on the classical chart. (Full article...)
    Faryl is the debut album by British mezzo-soprano Faryl Smith, released on 9 March 2009 by Universal Classics and Jazz. Smith rose to fame after her appearance on the second series of Britain's Got Talent and signed with Universal after the competition. The album was recorded during December 2008 and January 2009 and features the track "River of Light", a song set to The Blue Danube with new lyrics. Faryl was produced by Jon Cohen, and the backing music was provided by a 60-piece orchestra. As part of the album's promotion, Smith made numerous television and radio appearances and filmed a music video for "River of Light". Around this time, she met with then-Prime Minister Gordon Brown at 10 Downing Street.

    After its release, Faryl became the fastest-selling classical solo album in British chart history, selling 20,000 copies in the first four days, and a total of 29,200 copies in the first week, more than any other debut album of a classical singer. Faryl entered the UK Albums Chart at number 6, rising to number 4 the next week, and was the third album by a Britain's Got Talent contestant to reach the top ten in Britain. Smith subsequently embarked on a promotional tour in the US to publicise the album, where it reached number 6 on the classical chart. (Full article...)
  • Image 2 Alice in Chains performing in Leeds, England in 2018. From left to right: Mike Inez, William DuVall, Sean Kinney and Jerry Cantrell. Alice in Chains (often abbreviated as AIC) is an American rock band formed in Seattle, Washington, in 1987. Since 2006, the band's lineup has comprised vocalist/guitarists Jerry Cantrell and William DuVall, bassist Mike Inez and drummer Sean Kinney. Vocalist Layne Staley and bassist Mike Starr are former members of the band. The band took its name from Staley's previous group, Alice N' Chains. Often associated with grunge music, Alice in Chains' sound and style is deeply rooted in heavy metal music. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall), making Alice in Chains a two-vocal band. Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992) and Alice in Chains (1995), as well as the EP Jar of Flies (1994). The band was plagued by extended inactivity from 1996 onward, largely due to Staley's substance abuse, which resulted in his death in 2002 and caused the band to go on hiatus. Alice in Chains regrouped in 2005, with DuVall joining in 2006 as rhythm guitarist and later sharing lead vocal duties, and the band has since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013) and Rainier Fog (2018). (Full article...)

    Alice in Chains performing in Leeds, England in 2018. From left to right: Mike Inez, William DuVall, Sean Kinney and Jerry Cantrell.

    Alice in Chains (often abbreviated as AIC) is an American rock band formed in Seattle, Washington, in 1987. Since 2006, the band's lineup has comprised vocalist/guitarists Jerry Cantrell and William DuVall, bassist Mike Inez and drummer Sean Kinney. Vocalist Layne Staley and bassist Mike Starr are former members of the band. The band took its name from Staley's previous group, Alice N' Chains. Often associated with grunge music, Alice in Chains' sound and style is deeply rooted in heavy metal music. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell (and later Cantrell and DuVall), making Alice in Chains a two-vocal band.

    Alice in Chains rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. They achieved success during the era with the albums Facelift (1990), Dirt (1992) and Alice in Chains (1995), as well as the EP Jar of Flies (1994). The band was plagued by extended inactivity from 1996 onward, largely due to Staley's substance abuse, which resulted in his death in 2002 and caused the band to go on hiatus. Alice in Chains regrouped in 2005, with DuVall joining in 2006 as rhythm guitarist and later sharing lead vocal duties, and the band has since released three more albums: Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013) and Rainier Fog (2018). (Full article...)
  • Image 3 Anodyne is the fourth and final studio album by alternative country band Uncle Tupelo, released on October 5, 1993. The recording of the album was preceded by the departure of the original drummer Mike Heidorn and the addition of three new band members: bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston. The band signed with Sire Records shortly before recording the album; Anodyne was Uncle Tupelo's only major label release until 89/93: An Anthology in 2002. Recorded in Austin, Texas, Anodyne featured a split in songwriting credits between singers Jay Farrar and Jeff Tweedy, plus a cover version of the Doug Sahm song "Give Back the Key to My Heart", with Sahm on vocals. The lyrical themes were influenced by country music and—more than their preceding releases—touched on interpersonal relationships. After two promotional tours for the album, tensions between Farrar and Tweedy culminated in the breakup of Uncle Tupelo. Well-received upon its initial release, Anodyne was re-mastered and re-released in 2003 by Rhino Entertainment including five bonus tracks. (Full article...)
    Anodyne is the fourth and final studio album by alternative country band Uncle Tupelo, released on October 5, 1993. The recording of the album was preceded by the departure of the original drummer Mike Heidorn and the addition of three new band members: bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston. The band signed with Sire Records shortly before recording the album; Anodyne was Uncle Tupelo's only major label release until 89/93: An Anthology in 2002.

    Recorded in Austin, Texas, Anodyne featured a split in songwriting credits between singers Jay Farrar and Jeff Tweedy, plus a cover version of the Doug Sahm song "Give Back the Key to My Heart", with Sahm on vocals. The lyrical themes were influenced by country music and—more than their preceding releases—touched on interpersonal relationships. After two promotional tours for the album, tensions between Farrar and Tweedy culminated in the breakup of Uncle Tupelo. Well-received upon its initial release, Anodyne was re-mastered and re-released in 2003 by Rhino Entertainment including five bonus tracks. (Full article...)
  • Image 4 Stefani performing with No Doubt in 2015 Gwen Renée Stefani (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer and songwriter. She is a co-founder, lead vocalist, and the primary songwriter of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums. During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were "Wind It Up" and "The Sweet Escape", the latter of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US. (Full article...)

    Stefani performing with No Doubt in 2015

    Gwen Renée Stefani (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer and songwriter. She is a co-founder, lead vocalist, and the primary songwriter of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums.

    During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were "Wind It Up" and "The Sweet Escape", the latter of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US. (Full article...)
  • Image 5 Final rehearsal for the world premiere in the Neue Musik-Festhalle in Munich The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of it. The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910. The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts ("1." and "2. Teil"). Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's Faust. The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes. (Full article...)

    Final rehearsal for the world premiere in the Neue Musik-Festhalle in Munich

    The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of it. The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910.

    The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts ("1." and "2. Teil"). Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's Faust. The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes. (Full article...)
  • Image 6 Side A of the 1972 UK single release "Layla" is a song written by Eric Clapton and Jim Gordon, originally recorded with their band Derek and the Dominos, as the thirteenth track from their only studio album, Layla and Other Assorted Love Songs (1970). Its contrasting movements were composed separately by Clapton and Gordon. The piano part has also been controversially credited to Rita Coolidge, Gordon's girlfriend at the time. The song was inspired by a love story that originated in 7th-century Persian and later formed the basis of The Story of Layla and Majnun by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful young girl, went crazy and so could not marry her. The song was further inspired by Clapton's secret love for Pattie Boyd, the wife of his friend and fellow musician George Harrison. After Harrison and Boyd divorced, Clapton and Boyd eventually married. (Full article...)

    Side A of the 1972 UK single release

    "Layla" is a song written by Eric Clapton and Jim Gordon, originally recorded with their band Derek and the Dominos, as the thirteenth track from their only studio album, Layla and Other Assorted Love Songs (1970). Its contrasting movements were composed separately by Clapton and Gordon. The piano part has also been controversially credited to Rita Coolidge, Gordon's girlfriend at the time.

    The song was inspired by a love story that originated in 7th-century Persian and later formed the basis of The Story of Layla and Majnun by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful young girl, went crazy and so could not marry her. The song was further inspired by Clapton's secret love for Pattie Boyd, the wife of his friend and fellow musician George Harrison. After Harrison and Boyd divorced, Clapton and Boyd eventually married. (Full article...)
  • Image 7 Branded to Kill (Japanese: 殺しの烙印, Hepburn: Koroshi no Rakuin) is a 1967 Japanese yakuza film directed by Seijun Suzuki and starring Joe Shishido, Koji Nanbara, Annu Mari and Mariko Ogawa. The story follows contract killer Goro Hanada as he is recruited by a mysterious woman named Misako for a seemingly impossible mission. When the mission fails, he is hunted by the phantom Number One Killer, whose methods threaten his life and sanity. Branded to Kill was designated by its production company and distributor, Nikkatsu, as a low-budget B movie. Dissatisfied with the original script, the studio called in Suzuki to rewrite and direct the film shortly prior to the start of production. Suzuki came up with many of his ideas for the project the night before or on the set while filming, and welcomed ideas from his colleagues; the screenplay is credited to Hachiro Guryu, a writing collective that consisted of Suzuki and seven other writers, including his frequent collaborators Takeo Kimura and Atsushi Yamatoya. Suzuki gave the film a satirical, anarchic and visually eclectic bent, which the studio had previously warned him away from. The brief turnaround Suzuki was given to make Branded to Kill meant that post-production on the film was completed only a day before its pre-scheduled release on June 15, 1967. (Full article...)
    Branded to Kill (Japanese: 殺しの烙印, Hepburn: Koroshi no Rakuin) is a 1967 Japanese yakuza film directed by Seijun Suzuki and starring Joe Shishido, Koji Nanbara, Annu Mari and Mariko Ogawa. The story follows contract killer Goro Hanada as he is recruited by a mysterious woman named Misako for a seemingly impossible mission. When the mission fails, he is hunted by the phantom Number One Killer, whose methods threaten his life and sanity.

    Branded to Kill was designated by its production company and distributor, Nikkatsu, as a low-budget B movie. Dissatisfied with the original script, the studio called in Suzuki to rewrite and direct the film shortly prior to the start of production. Suzuki came up with many of his ideas for the project the night before or on the set while filming, and welcomed ideas from his colleagues; the screenplay is credited to Hachiro Guryu, a writing collective that consisted of Suzuki and seven other writers, including his frequent collaborators Takeo Kimura and Atsushi Yamatoya. Suzuki gave the film a satirical, anarchic and visually eclectic bent, which the studio had previously warned him away from. The brief turnaround Suzuki was given to make Branded to Kill meant that post-production on the film was completed only a day before its pre-scheduled release on June 15, 1967. (Full article...)
  • Image 8 A scene from Trial by Jury as illustrated in the magazine Illustrated Sporting and Dramatic News of 1 May 1875 Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its popular companion piece, Jacques Offenbach's La Périchole. The story concerns a "breach of promise of marriage" lawsuit in which the judge and legal system are the objects of lighthearted satire. Gilbert based the libretto of Trial by Jury on an operetta parody that he had written in 1868. The opera premiered more than three years after Gilbert and Sullivan's only previous collaboration, Thespis, an 1871–72 Christmas season entertainment. In the intervening years, both the author and the composer were busy with separate projects. Beginning in 1873, Gilbert tried several times to get the opera produced before the impresario Richard D'Oyly Carte suggested that he collaborate on it with Sullivan. Sullivan was pleased with the piece and promptly wrote the music. (Full article...)
    Contemporary steel engraving illustrating the operetta. In the court, the defendant, with his guitar, clings to his new love. The jilted bride throws herself into the arms of the counsel while the judge gestures his displeasure and the usher tries in vain to control the ensuing disorder among the jury and spectators.
    A scene from Trial by Jury as illustrated in the magazine Illustrated Sporting and Dramatic News of 1 May 1875

    Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its popular companion piece, Jacques Offenbach's La Périchole. The story concerns a "breach of promise of marriage" lawsuit in which the judge and legal system are the objects of lighthearted satire. Gilbert based the libretto of Trial by Jury on an operetta parody that he had written in 1868.

    The opera premiered more than three years after Gilbert and Sullivan's only previous collaboration, Thespis, an 1871–72 Christmas season entertainment. In the intervening years, both the author and the composer were busy with separate projects. Beginning in 1873, Gilbert tried several times to get the opera produced before the impresario Richard D'Oyly Carte suggested that he collaborate on it with Sullivan. Sullivan was pleased with the piece and promptly wrote the music. (Full article...)
  • Image 9 New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value. After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics. (Full article...)
    New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value.

    After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics. (Full article...)
  • Image 10 Pearl Jam performing in Amsterdam in 2012. From left to right: Mike McCready, Jeff Ament, Matt Cameron, Eddie Vedder, and Stone Gossard. Pearl Jam is an American rock band formed in Seattle, Washington, in 1990. The band's lineup consists of founding members Jeff Ament (bass guitar), Stone Gossard (rhythm guitar), Mike McCready (lead guitar), and Eddie Vedder (lead vocals, guitar), as well as Matt Cameron (drums), who joined in 1998. Keyboardist Boom Gaspar has also been a touring/session member with the band since 2002. Jack Irons, Dave Krusen, Matt Chamberlain and Dave Abbruzzese are all former drummers for the band. Pearl Jam has outsold and outlasted many of its contemporaries from the early 1990s, and is considered one of the most influential bands from that decade, dubbed "the most popular American rock and roll band of the '90s". Formed after the demise of Gossard and Ament's previous bands, Green River and Mother Love Bone, Pearl Jam broke into the mainstream with their debut album, Ten, in 1991. Ten stayed on the Billboard 200 chart for nearly five years, and has gone on to become one of the highest-selling rock records ever, going 13× Platinum in the United States. Released in 1993, Pearl Jam's second album, Vs., sold over 950,000 copies in its first week of release, setting the record for most copies of an album sold in its first week of release at the time. Their third album, Vitalogy (1994), became the second-fastest-selling CD in history at the time, with more than 877,000 units sold in its first week. (Full article...)

    Pearl Jam performing in Amsterdam in 2012. From left to right: Mike McCready, Jeff Ament, Matt Cameron, Eddie Vedder, and Stone Gossard.

    Pearl Jam is an American rock band formed in Seattle, Washington, in 1990. The band's lineup consists of founding members Jeff Ament (bass guitar), Stone Gossard (rhythm guitar), Mike McCready (lead guitar), and Eddie Vedder (lead vocals, guitar), as well as Matt Cameron (drums), who joined in 1998. Keyboardist Boom Gaspar has also been a touring/session member with the band since 2002. Jack Irons, Dave Krusen, Matt Chamberlain and Dave Abbruzzese are all former drummers for the band. Pearl Jam has outsold and outlasted many of its contemporaries from the early 1990s, and is considered one of the most influential bands from that decade, dubbed "the most popular American rock and roll band of the '90s".

    Formed after the demise of Gossard and Ament's previous bands, Green River and Mother Love Bone, Pearl Jam broke into the mainstream with their debut album, Ten, in 1991. Ten stayed on the Billboard 200 chart for nearly five years, and has gone on to become one of the highest-selling rock records ever, going 13× Platinum in the United States. Released in 1993, Pearl Jam's second album, Vs., sold over 950,000 copies in its first week of release, setting the record for most copies of an album sold in its first week of release at the time. Their third album, Vitalogy (1994), became the second-fastest-selling CD in history at the time, with more than 877,000 units sold in its first week. (Full article...)
  • Image 11 The Idiot is the debut studio album by the American musician Iggy Pop, released on March 18, 1977, through RCA Records. It was produced by David Bowie and primarily recorded at the Château d'Hérouville in Hérouville, France. The album followed the break-up of Pop's band the Stooges in 1974 and a period of drug addiction for both Pop and Bowie, after which the two moved to Europe in an effort to kick their addictions. Described by Pop as "a cross between James Brown and Kraftwerk", The Idiot marks a departure from the proto-punk of the Stooges to a more subdued, mechanical sound with electronic overtones. Recording for it began at the château in June 1976 and continued into July. Further sessions took place at Musicland Studios in Munich in August. Bowie composed most of the music and contributed a major portion of the instrumentation. Pop wrote most of the lyrics in response to the music Bowie was creating. The album's title was taken from Fyodor Dostoevsky's novel of the same name, while Erich Heckel's painting Roquairol inspired its artwork. (Full article...)
    The Idiot is the debut studio album by the American musician Iggy Pop, released on March 18, 1977, through RCA Records. It was produced by David Bowie and primarily recorded at the Château d'Hérouville in Hérouville, France. The album followed the break-up of Pop's band the Stooges in 1974 and a period of drug addiction for both Pop and Bowie, after which the two moved to Europe in an effort to kick their addictions.

    Described by Pop as "a cross between James Brown and Kraftwerk", The Idiot marks a departure from the proto-punk of the Stooges to a more subdued, mechanical sound with electronic overtones. Recording for it began at the château in June 1976 and continued into July. Further sessions took place at Musicland Studios in Munich in August. Bowie composed most of the music and contributed a major portion of the instrumentation. Pop wrote most of the lyrics in response to the music Bowie was creating. The album's title was taken from Fyodor Dostoevsky's novel of the same name, while Erich Heckel's painting Roquairol inspired its artwork. (Full article...)
  • Image 12 Ghostbusters II is a 1989 American supernatural comedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. The film stars Bill Murray, Aykroyd, Sigourney Weaver, Ramis, Rick Moranis, Ernie Hudson, and Annie Potts. It is the sequel to the 1984 film Ghostbusters and the second film in the Ghostbusters franchise. Set five years after the events of the first film, the Ghostbusters have been sued and put out of business after the destruction caused during their battle with the deity Gozer the Gozerian. When a new paranormal threat emerges, the Ghostbusters reunite to combat it and save the world. After the success of Ghostbusters, Columbia Pictures wanted a sequel but struggled to overcome objections from the cast and crew. As with the first film, Aykroyd and Ramis collaborated on the script, which went through many variations. The pair wanted to convey a message about the consequences of negative human emotions in large cities. They settled on the idea of negative feelings creating a mass of supernatural slime beneath New York City that empowers malevolent spirits. With a budget of $30–40 million, filming took place between November 1988 and March 1989 in New York City and Los Angeles. Production was rushed compared to the original film's 13-month shooting schedule; large sections of the film were scrapped after poorly received test screenings. New scenes were written and filmed during re-shoots between March and April 1989, only two months before its release. (Full article...)
    Ghostbusters II is a 1989 American supernatural comedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. The film stars Bill Murray, Aykroyd, Sigourney Weaver, Ramis, Rick Moranis, Ernie Hudson, and Annie Potts. It is the sequel to the 1984 film Ghostbusters and the second film in the Ghostbusters franchise. Set five years after the events of the first film, the Ghostbusters have been sued and put out of business after the destruction caused during their battle with the deity Gozer the Gozerian. When a new paranormal threat emerges, the Ghostbusters reunite to combat it and save the world.

    After the success of Ghostbusters, Columbia Pictures wanted a sequel but struggled to overcome objections from the cast and crew. As with the first film, Aykroyd and Ramis collaborated on the script, which went through many variations. The pair wanted to convey a message about the consequences of negative human emotions in large cities. They settled on the idea of negative feelings creating a mass of supernatural slime beneath New York City that empowers malevolent spirits. With a budget of $30–40 million, filming took place between November 1988 and March 1989 in New York City and Los Angeles. Production was rushed compared to the original film's 13-month shooting schedule; large sections of the film were scrapped after poorly received test screenings. New scenes were written and filmed during re-shoots between March and April 1989, only two months before its release. (Full article...)
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Born this day

Birthdays in Music: May 10


  • Sid Vicious (Record production, 1957 –February 2, 1979), (born Simon John Ritchie) English musician and bassist of the Sex Pistols, would have turned 67 this year.
  • Hans Reichel (Record production, 1949 –November 22, 2011), German guitarist and luthier, would have turned 75 this year.
  • Jimmy Ponder (Record production, 1946 –September 16, 2013), American guitarist, would have turned 78 this year.
  • Otha Young (Record production, 1943 –August 06, 2009), American musician (Juice Newton's bands) and songwriter, would have turned 81 this year.
  • Wayne Cochran (Record production, 1939–November 21, 2017), American singer, would have turned 85 this year.
  • Mike Melvoin (Record production, 1937 –February 22, 2012), American keyboardist, would have turned 87 this year.
  • Julius Wechter (Record production, 1935 –February 01, 1999), American marimba player and vibraphonist, would have turned 89 this year.
  • Joe Nay (Record production, 1934 –December 22, 1990), German percussionist, would have turned 90 this year.
  • Mel Lewis (Record production, 1929 –February 02, 1990), American bandleader and drummer, would have turned 95 this year.
  • Joe Holiday (Record production, 1925 –February 09, 2016), (born Joseph Befumo) Italian tenor saxophonist, would have turned 99 this year.
  • Al Hendrickson (1920–2007), (born Alton Hendrickson) American guitarist, would have turned 104.
  • Pee Wee Hunt (Record production, 1907 –June 22, 1979), (born Walter Gerhardt Hunt) American trombonist and vocalist, would have turned 117 this year.
  • Fred Astaire (Record production, 1899 –June 22, 1987), American singer and dancer, would have turned 125 this year.
  

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 The Return is the debut studio album by British musician and producer Kamaal Williams. It was released on 25 May 2018, under his Black Focus Record label. After the breakup of the band Yussef Kamaal, Williams sought to recreate the sounds of their 2016 album Black Focus with bassist Pete Martin, drummer Josh McKenzie and producer Richard Samuels. The album is built on improvisation and its ideas are based on their recorded jam sessions. Two music videos were released for the album, "Catch the Loop" and "Salaam", both directed by Greg Barnes. Williams also announced a tour across Europe in 2018 and in North America in 2019. The Return received generally favorable reviews from music critics, some praising the re-creation of jazz-funk sounds of the 1970s, while others questioned the length of certain songs. In the United Kingdom, it marked his first entry in the albums chart at number 63, while in the Jazz & Blues chart it ranked number 1. The album also reached number 3 in the Top Jazz Albums chart in America. (Full article...)
    The Return is the debut studio album by British musician and producer Kamaal Williams. It was released on 25 May 2018, under his Black Focus Record label. After the breakup of the band Yussef Kamaal, Williams sought to recreate the sounds of their 2016 album Black Focus with bassist Pete Martin, drummer Josh McKenzie and producer Richard Samuels. The album is built on improvisation and its ideas are based on their recorded jam sessions.

    Two music videos were released for the album, "Catch the Loop" and "Salaam", both directed by Greg Barnes. Williams also announced a tour across Europe in 2018 and in North America in 2019. The Return received generally favorable reviews from music critics, some praising the re-creation of jazz-funk sounds of the 1970s, while others questioned the length of certain songs. In the United Kingdom, it marked his first entry in the albums chart at number 63, while in the Jazz & Blues chart it ranked number 1. The album also reached number 3 in the Top Jazz Albums chart in America. (Full article...)
  • Image 2 I Can Hear the Heart Beating as One is the eighth studio album by the American indie rock band Yo La Tengo, released on April 22, 1997, by Matador Records. It was produced by Roger Moutenot and recorded at House of David in Nashville, Tennessee. The album expands the guitar-based pop of its predecessor Electr-O-Pura to encompass a variety of other music genres, including bossa nova, krautrock, and electronic music. Most of the songs on the album deal with melancholy emotions and range from short and fragile ballads to long and open-ended dissonance. Upon release, I Can Hear the Heart Beating as One reached number 19 on the Billboard's Heatseekers Albums chart, becoming the first Yo La Tengo album to enter the charts. Three songs from the album, "Autumn Sweater", "Sugarcube", and the cover "Little Honda", were released as singles. The album received widespread acclaim from music critics, who praised the band's ability to successfully expand the boundaries of nearly any pop style. The album is widely regarded as the band's best work and is frequently included on several publications' best album lists. In 2020, Rolling Stone included it on its list of The 500 Greatest Albums of All Time as no. 423. (Full article...)
    I Can Hear the Heart Beating as One is the eighth studio album by the American indie rock band Yo La Tengo, released on April 22, 1997, by Matador Records. It was produced by Roger Moutenot and recorded at House of David in Nashville, Tennessee. The album expands the guitar-based pop of its predecessor Electr-O-Pura to encompass a variety of other music genres, including bossa nova, krautrock, and electronic music. Most of the songs on the album deal with melancholy emotions and range from short and fragile ballads to long and open-ended dissonance.

    Upon release, I Can Hear the Heart Beating as One reached number 19 on the Billboard's Heatseekers Albums chart, becoming the first Yo La Tengo album to enter the charts. Three songs from the album, "Autumn Sweater", "Sugarcube", and the cover "Little Honda", were released as singles. The album received widespread acclaim from music critics, who praised the band's ability to successfully expand the boundaries of nearly any pop style. The album is widely regarded as the band's best work and is frequently included on several publications' best album lists. In 2020, Rolling Stone included it on its list of The 500 Greatest Albums of All Time as no. 423. (Full article...)
  • Image 3 Stay Trippy is the third solo studio album by American rapper Juicy J. The album was released on August 27, 2013, by Kemosabe Records and Columbia Records. The album was Juicy J's first solo album since distancing himself from Three 6 Mafia and joining Wiz Khalifa's Taylor Gang Records, who makes three appearances on the album. Stay Trippy's production was handled between 2011 and 2013 by producers such as Juicy J himself, Mike Will Made It, Cirkut, Lex Luger, Sap, Supa Dups, ID Labs, Timbaland and Young Chop, among others. The album also features additional guest appearances from Justin Timberlake, Chris Brown, Lil Wayne, 2 Chainz, The Weeknd, ASAP Rocky, Wale, Trey Songz, Young Jeezy, Big Sean, Pimp C, Trina, Yelawolf and Project Pat. (Full article...)
    Stay Trippy is the third solo studio album by American rapper Juicy J. The album was released on August 27, 2013, by Kemosabe Records and Columbia Records. The album was Juicy J's first solo album since distancing himself from Three 6 Mafia and joining Wiz Khalifa's Taylor Gang Records, who makes three appearances on the album.

    Stay Trippy's production was handled between 2011 and 2013 by producers such as Juicy J himself, Mike Will Made It, Cirkut, Lex Luger, Sap, Supa Dups, ID Labs, Timbaland and Young Chop, among others. The album also features additional guest appearances from Justin Timberlake, Chris Brown, Lil Wayne, 2 Chainz, The Weeknd, ASAP Rocky, Wale, Trey Songz, Young Jeezy, Big Sean, Pimp C, Trina, Yelawolf and Project Pat. (Full article...)
  • Image 4 Impossible Princess (briefly retitled Kylie Minogue in Europe) is the sixth studio album by Australian singer Kylie Minogue, released on 22 October 1997, by Deconstruction, BMG and Mushroom Records. The singer asserted greater creative control over the project — as a co-producer and composer of the material — compared to her previous work, assisted by Brothers in Rhythm, Manic Street Preachers, David Ball and Rob Dougan. Influenced by the techno and Britpop revolution in the mid-to-late 1990s, sonically, Impossible Princess is a departure from Minogue's previous work. Conceived as an experimental record, the material encompasses a variety of darker styles from dance music, including trip hop, electronica, and rock. Lyrically, the album focuses on Minogue's self-discovery after a series of trips worldwide and delves into freedom of expression, relationships, and emotions. (Full article...)
    Impossible Princess (briefly retitled Kylie Minogue in Europe) is the sixth studio album by Australian singer Kylie Minogue, released on 22 October 1997, by Deconstruction, BMG and Mushroom Records. The singer asserted greater creative control over the project — as a co-producer and composer of the material — compared to her previous work, assisted by Brothers in Rhythm, Manic Street Preachers, David Ball and Rob Dougan.

    Influenced by the techno and Britpop revolution in the mid-to-late 1990s, sonically, Impossible Princess is a departure from Minogue's previous work. Conceived as an experimental record, the material encompasses a variety of darker styles from dance music, including trip hop, electronica, and rock. Lyrically, the album focuses on Minogue's self-discovery after a series of trips worldwide and delves into freedom of expression, relationships, and emotions. (Full article...)
  • Image 5 The Blues Brothers is a 1980 American musical action comedy film directed by John Landis. It stars John Belushi as "Joliet" Jake Blues and Dan Aykroyd as his brother Elwood, characters developed from the recurring musical sketch "The Blues Brothers" on NBC's variety series Saturday Night Live. The script is set in and around Chicago, Illinois, where it was filmed, and the screenplay is by Aykroyd and Landis. It features musical numbers by singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles and John Lee Hooker. It features non-musical supporting performances by Carrie Fisher and Henry Gibson. The story is a tale of redemption for paroled convict Jake and his blood brother Elwood, who set out on "a mission from God" to prevent the foreclosure of the Roman Catholic orphanage in which they were raised. To do so, they must reunite their R&B band and organize a performance to earn the $5,000 needed to pay the orphanage's property tax bill. Along the way, they are targeted by a homicidal "mystery woman", neo-Nazis, and a country and western band—all while being relentlessly pursued by the police. (Full article...)
    The Blues Brothers is a 1980 American musical action comedy film directed by John Landis. It stars John Belushi as "Joliet" Jake Blues and Dan Aykroyd as his brother Elwood, characters developed from the recurring musical sketch "The Blues Brothers" on NBC's variety series Saturday Night Live. The script is set in and around Chicago, Illinois, where it was filmed, and the screenplay is by Aykroyd and Landis. It features musical numbers by singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles and John Lee Hooker. It features non-musical supporting performances by Carrie Fisher and Henry Gibson.

    The story is a tale of redemption for paroled convict Jake and his blood brother Elwood, who set out on "a mission from God" to prevent the foreclosure of the Roman Catholic orphanage in which they were raised. To do so, they must reunite their R&B band and organize a performance to earn the $5,000 needed to pay the orphanage's property tax bill. Along the way, they are targeted by a homicidal "mystery woman", neo-Nazis, and a country and western band—all while being relentlessly pursued by the police. (Full article...)
  • Image 6 These Are Special Times is the seventeenth studio album by Canadian singer Celine Dion, and her first English-language Christmas album. It was first released in Europe on 30 October 1998, by Columbia Records. In the United States, it was released on 3 November 1998 through Epic Records. The album features cover versions of popular Christmas songs and original material, including "I'm Your Angel" and "The Prayer". Dion worked with David Foster and Ric Wake, who produced most of the album. These Are Special Times was released after two of Dion's most successful albums, Falling into You (1996) and Let's Talk About Love (1997). Upon its release, These Are Special Times received generally positive reviews from music critics. Many praised Dion's commitment to the project, as well as the production of the songs. The album has been certified six-times Platinum by the Recording Industry Association of America (RIAA) for shipment of six million copies in the United States. In Canada, the album has sold one million copies and been certified Diamond by the Canadian Recording Industry Association (CRIA). These Are Special Times has sold over 12 million copies worldwide and is one of the best-selling Christmas albums of all time. (Full article...)
    These Are Special Times is the seventeenth studio album by Canadian singer Celine Dion, and her first English-language Christmas album. It was first released in Europe on 30 October 1998, by Columbia Records. In the United States, it was released on 3 November 1998 through Epic Records. The album features cover versions of popular Christmas songs and original material, including "I'm Your Angel" and "The Prayer". Dion worked with David Foster and Ric Wake, who produced most of the album. These Are Special Times was released after two of Dion's most successful albums, Falling into You (1996) and Let's Talk About Love (1997).

    Upon its release, These Are Special Times received generally positive reviews from music critics. Many praised Dion's commitment to the project, as well as the production of the songs. The album has been certified six-times Platinum by the Recording Industry Association of America (RIAA) for shipment of six million copies in the United States. In Canada, the album has sold one million copies and been certified Diamond by the Canadian Recording Industry Association (CRIA). These Are Special Times has sold over 12 million copies worldwide and is one of the best-selling Christmas albums of all time. (Full article...)
  • Image 7 The music of the video game Final Fantasy X was composed by regular series composer Nobuo Uematsu, along with Masashi Hamauzu and Junya Nakano. It was the first title in the main Final Fantasy series in which Uematsu was not the sole composer. The Final Fantasy X Original Soundtrack was released on four Compact Discs in 2001 by DigiCube, and was re-released in 2004 by Square Enix. Prior to the album's North American release, a reduced version entitled Final Fantasy X Official Soundtrack was released on a single disk by Tokyopop in 2002. An EP entitled feel/Go dream: Yuna & Tidus containing additional singles not present in the game was released by DigiCube in 2001. Piano Collections Final Fantasy X, a collection of piano arrangements of the original soundtracks by Masashi Hamauzu and performed by Aki Kuroda, was released by DigiCube in 2002 and re-released by Square EA in 2004. A collection of vocal arrangements of pieces from the game arranged by Katsumi Suyama along with radio drama tracks was released as Final Fantasy X Vocal Collection in 2002 by DigiCube. The theme song for the game is titled "Suteki da ne", which was performed by Japanese folk singer Ritsuki Nakano, known as "RIKKI". The song was released as a single by DigiCube in 2001 and was re-released by Square Enix in 2004. The game's music was well received overall; reviewers praised the additions to the soundtrack by the two new composers for the series. They especially praised Hamauzu, both for his work in the original soundtrack and in arranging the themes for Piano Collections Final Fantasy X. Several tracks, especially "Suteki da ne" and "To Zanarkand", remain popular today, and have been performed numerous times in orchestral concert series, as well as being published in arranged and compilation albums by Square as well as outside groups. (Full article...)
    The music of the video game Final Fantasy X was composed by regular series composer Nobuo Uematsu, along with Masashi Hamauzu and Junya Nakano. It was the first title in the main Final Fantasy series in which Uematsu was not the sole composer. The Final Fantasy X Original Soundtrack was released on four Compact Discs in 2001 by DigiCube, and was re-released in 2004 by Square Enix. Prior to the album's North American release, a reduced version entitled Final Fantasy X Official Soundtrack was released on a single disk by Tokyopop in 2002. An EP entitled feel/Go dream: Yuna & Tidus containing additional singles not present in the game was released by DigiCube in 2001. Piano Collections Final Fantasy X, a collection of piano arrangements of the original soundtracks by Masashi Hamauzu and performed by Aki Kuroda, was released by DigiCube in 2002 and re-released by Square EA in 2004. A collection of vocal arrangements of pieces from the game arranged by Katsumi Suyama along with radio drama tracks was released as Final Fantasy X Vocal Collection in 2002 by DigiCube.

    The theme song for the game is titled "Suteki da ne", which was performed by Japanese folk singer Ritsuki Nakano, known as "RIKKI". The song was released as a single by DigiCube in 2001 and was re-released by Square Enix in 2004. The game's music was well received overall; reviewers praised the additions to the soundtrack by the two new composers for the series. They especially praised Hamauzu, both for his work in the original soundtrack and in arranging the themes for Piano Collections Final Fantasy X. Several tracks, especially "Suteki da ne" and "To Zanarkand", remain popular today, and have been performed numerous times in orchestral concert series, as well as being published in arranged and compilation albums by Square as well as outside groups. (Full article...)
  • Image 8 Just Be Free is a demo album released by Warlock Records featuring music recorded by American singer Christina Aguilera. After finishing her run on The All-New Mickey Mouse Club, a then fifteen-year-old Aguilera began recording the album with New Jersey-based producers Robert Allecca and Michael Brown. The pair gave Aguilera the opportunity to use a recording studio and presented her with demo music. Musically, the album consists of dance style tracks as well as ballads, and saw Aguilera performing Spanish-language songs. The record was conceived to showcase Aguilera's vocals in an effort to reach out to record labels, a venture which actually backfired after the recordings were not very well received among critics. Six years after the completion of the album and Aguilera had achieved mainstream success, Brown and Allecca released the record. Just Be Free has sold over 129,000 copies in the United States. (Full article...)
    Just Be Free is a demo album released by Warlock Records featuring music recorded by American singer Christina Aguilera. After finishing her run on The All-New Mickey Mouse Club, a then fifteen-year-old Aguilera began recording the album with New Jersey-based producers Robert Allecca and Michael Brown. The pair gave Aguilera the opportunity to use a recording studio and presented her with demo music.

    Musically, the album consists of dance style tracks as well as ballads, and saw Aguilera performing Spanish-language songs. The record was conceived to showcase Aguilera's vocals in an effort to reach out to record labels, a venture which actually backfired after the recordings were not very well received among critics. Six years after the completion of the album and Aguilera had achieved mainstream success, Brown and Allecca released the record. Just Be Free has sold over 129,000 copies in the United States. (Full article...)
  • Image 9 The untitled fourth studio album by the English rock band Led Zeppelin, commonly known as Led Zeppelin IV, was released on 8 November 1971 by Atlantic Records. Produced by the band's guitarist, Jimmy Page, it was recorded between December 1970 and February 1971, mostly in the country house Headley Grange. The album contains the band's most well-known recording, the eight-minute-long "Stairway to Heaven". The informal recording environment inspired the band, allowing them to try different arrangements of material and create songs in various styles. After the band's previous album Led Zeppelin III (1970) received lukewarm reviews from critics, they decided their fourth album would officially be untitled and represented instead by four symbols – one chosen by each band member – without featuring the name or any other details on the cover. Unlike the prior two albums, the band was joined by guest musicians: the singer Sandy Denny on "The Battle of Evermore", and the pianist Ian Stewart on "Rock and Roll". As with prior albums, most of the material was written by the band, though there was one cover song, a hard rock re-interpretation of the Memphis Minnie blues song "When the Levee Breaks". (Full article...)
    The untitled fourth studio album by the English rock band Led Zeppelin, commonly known as Led Zeppelin IV, was released on 8 November 1971 by Atlantic Records. Produced by the band's guitarist, Jimmy Page, it was recorded between December 1970 and February 1971, mostly in the country house Headley Grange. The album contains the band's most well-known recording, the eight-minute-long "Stairway to Heaven".

    The informal recording environment inspired the band, allowing them to try different arrangements of material and create songs in various styles. After the band's previous album Led Zeppelin III (1970) received lukewarm reviews from critics, they decided their fourth album would officially be untitled and represented instead by four symbols – one chosen by each band member – without featuring the name or any other details on the cover. Unlike the prior two albums, the band was joined by guest musicians: the singer Sandy Denny on "The Battle of Evermore", and the pianist Ian Stewart on "Rock and Roll". As with prior albums, most of the material was written by the band, though there was one cover song, a hard rock re-interpretation of the Memphis Minnie blues song "When the Levee Breaks". (Full article...)
  • Image 10 Burning at Both Ends is the third studio album by American pop punk band Set Your Goals. Recording for the album began in October and November 2010 with producer Brian McTernan in Baltimore, Maryland. The group took a break to support You Me at Six on their UK tour in December; they were unable to fly back until the end of the month due to bad weather to finish the album. The sessions resumed and ran in to mid-January when the band ran out of studio time. They briefly tracked with second producer Mike Green in Los Angeles, California. Following recording, the band embarked on two US tours, one supporting Parkway Drive and the other alongside August Burns Red. Leading up to the album's release announcement, "Start the Reactor" and "Exit Summer" were made available for streaming, and "Certain" served as the first single. Burning at Both Ends was released through independent label Epitaph Records in June 2011. A stint on the Warped Tour and performances at the Australian Soundwave Counter-Revolution festival followed. The band continued touring the US until the end of the year with two supporting slots for New Found Glory and Four Year Strong, and a separate headlining tour soon after. Shows in South America and festival appearances preceded a 2012 co-headlining US tour with Cartel and a UK tour. Following this, "Product of the 80's" was released as a single in June. (Full article...)
    Burning at Both Ends is the third studio album by American pop punk band Set Your Goals. Recording for the album began in October and November 2010 with producer Brian McTernan in Baltimore, Maryland. The group took a break to support You Me at Six on their UK tour in December; they were unable to fly back until the end of the month due to bad weather to finish the album. The sessions resumed and ran in to mid-January when the band ran out of studio time. They briefly tracked with second producer Mike Green in Los Angeles, California. Following recording, the band embarked on two US tours, one supporting Parkway Drive and the other alongside August Burns Red.

    Leading up to the album's release announcement, "Start the Reactor" and "Exit Summer" were made available for streaming, and "Certain" served as the first single. Burning at Both Ends was released through independent label Epitaph Records in June 2011. A stint on the Warped Tour and performances at the Australian Soundwave Counter-Revolution festival followed. The band continued touring the US until the end of the year with two supporting slots for New Found Glory and Four Year Strong, and a separate headlining tour soon after. Shows in South America and festival appearances preceded a 2012 co-headlining US tour with Cartel and a UK tour. Following this, "Product of the 80's" was released as a single in June. (Full article...)
  • Image 11 The Truth About Love is the sixth studio album by American singer-songwriter Pink. It was released on September 14, 2012, through RCA Records. After giving birth to her first child in 2011, Pink started working on the album with longtime collaborator Billy Mann. With hopes of becoming more involved in the production of the album, she also reunited with Greg Kurstin and Butch Walker. Recording sessions took place between January and May 2012. The Truth About Love is primarily a pop record and includes elements of electropop, dance-pop, and rock music. Its lyrics explore themes of love, monogamy, and sexuality, as evidenced by the album title. The songs on the album express various perspectives towards romance and delve into the realities of long-term relationships. It features guest appearances by Eminem, Lily Allen, and Nate Ruess. The album received generally positive reviews from music critics, who commended Pink's thematic and musical direction. Buoyed by extensive marketing, The Truth About Love was a commercial success, topping the charts in eight countries, including Australia, Canada, Germany, and Sweden. In the United States, it became Pink's first number-one album on the Billboard 200 chart and was later certified triple platinum by the Recording Industry Association of America (RIAA) for sales of three million album-equivalent units. In Australia, The Truth About Love became the first album to top the year-end chart for two consecutive years and was certified nine times platinum by the Australian Recording Industry Association (ARIA). It was ranked as the seventh best-selling album of 2012, with sales of 2.6 million copies sold worldwide. By 2016, the album had sold over seven million copies globally. (Full article...)
    The Truth About Love is the sixth studio album by American singer-songwriter Pink. It was released on September 14, 2012, through RCA Records. After giving birth to her first child in 2011, Pink started working on the album with longtime collaborator Billy Mann. With hopes of becoming more involved in the production of the album, she also reunited with Greg Kurstin and Butch Walker. Recording sessions took place between January and May 2012. The Truth About Love is primarily a pop record and includes elements of electropop, dance-pop, and rock music. Its lyrics explore themes of love, monogamy, and sexuality, as evidenced by the album title. The songs on the album express various perspectives towards romance and delve into the realities of long-term relationships. It features guest appearances by Eminem, Lily Allen, and Nate Ruess.

    The album received generally positive reviews from music critics, who commended Pink's thematic and musical direction. Buoyed by extensive marketing, The Truth About Love was a commercial success, topping the charts in eight countries, including Australia, Canada, Germany, and Sweden. In the United States, it became Pink's first number-one album on the Billboard 200 chart and was later certified triple platinum by the Recording Industry Association of America (RIAA) for sales of three million album-equivalent units. In Australia, The Truth About Love became the first album to top the year-end chart for two consecutive years and was certified nine times platinum by the Australian Recording Industry Association (ARIA). It was ranked as the seventh best-selling album of 2012, with sales of 2.6 million copies sold worldwide. By 2016, the album had sold over seven million copies globally. (Full article...)
  • Image 12 Mis Boleros Favoritos (English: My Favorite Boleros) is a compilation album by Mexican singer Luis Miguel. Released on 8 October 2002 by Warner Music Latina, it contains thirteen previously-recorded songs from the Romance-themed albums as well as a new track "Hasta Que Vuelvas". A special edition of the record was released on the same day and includes a DVD containing seven music videos from the bolero-themed discs. "Hasta Que Vuelvas" was released as a single for the album and peaked at number 16 on Billboard's Hot Latin Songs chart in the United States. Iván Adaime of AllMusic gave the album a 3.5 out of 5 star rating citing that the new song and music videos are the only incentives for fans to buy it and noted the album's purpose to end the Romance era. "Hasta Que Vuelvas" received a Latin Grammy nomination for Record of the Year in 2003. Commercially, Mis Boleros Favoritos peaked at number three on Billboard's Top Latin Albums chart in the United States, number one in Spain, and number seven in Argentina. (Full article...)
    Mis Boleros Favoritos (English: My Favorite Boleros) is a compilation album by Mexican singer Luis Miguel. Released on 8 October 2002 by Warner Music Latina, it contains thirteen previously-recorded songs from the Romance-themed albums as well as a new track "Hasta Que Vuelvas". A special edition of the record was released on the same day and includes a DVD containing seven music videos from the bolero-themed discs. "Hasta Que Vuelvas" was released as a single for the album and peaked at number 16 on Billboard's Hot Latin Songs chart in the United States. Iván Adaime of AllMusic gave the album a 3.5 out of 5 star rating citing that the new song and music videos are the only incentives for fans to buy it and noted the album's purpose to end the Romance era. "Hasta Que Vuelvas" received a Latin Grammy nomination for Record of the Year in 2003. Commercially, Mis Boleros Favoritos peaked at number three on Billboard's Top Latin Albums chart in the United States, number one in Spain, and number seven in Argentina. (Full article...)
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  • Image 1 The Grammy Award for Best Remixed Recording, Non-Classical is an honor presented to producers for quality remixed recordings at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". The award was first presented as the Grammy Award for Remixer of the Year, Non-Classical at the 40th Grammy Awards in 1998 to Frankie Knuckles. While the award was under this name, it was presented without specifying a work; when it shifted to its current name in 2002 works were named. According to the category description guide for the 52nd Grammy Awards, the award is presented "to recognize an individual(s) who takes previously recorded material and adds or alters it in such a way as to create a new and unique performance". The prize is given to the remixer(s), not the original artist(s). (Full article...)
    The Grammy Award for Best Remixed Recording, Non-Classical is an honor presented to producers for quality remixed recordings at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

    The award was first presented as the Grammy Award for Remixer of the Year, Non-Classical at the 40th Grammy Awards in 1998 to Frankie Knuckles. While the award was under this name, it was presented without specifying a work; when it shifted to its current name in 2002 works were named. According to the category description guide for the 52nd Grammy Awards, the award is presented "to recognize an individual(s) who takes previously recorded material and adds or alters it in such a way as to create a new and unique performance". The prize is given to the remixer(s), not the original artist(s). (Full article...)
  • Image 2 Luis Enrique was the first artist to reach number one on the Tropical Airplay chart in 1994. In October 1994, Billboard magazine established Tropical Airplay, a chart that ranks the top-performing songs played on tropical radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to an 1985 article by Billboard, tropical music is the "sound of the Spanish-speaking Caribbean – though it extends beyond it". It usually encompasses dance genres such as salsa, merengue, bachata, vallenato, and the Colombian cumbia and tropical music in Mexico. Five songs topped the chart in 1994 and 12 tracks did the same in 1995. Until November 5, 1994, BDS ran test charts which only listed the number one song of the week on Billboard's electronic database. The first song to reach number one on the Tropical Airplay chart was "Quién Eres Tú" by Luis Enrique which remained in the top spot for three weeks. It was replaced by La India's cover of "Nunca Voy a Olvidarte", making her the first female artist to reach the top of the chart. Both artists were the only acts to have more than one chart-topper in 1994. La India had the final number one song of the year with her rendition of "Ese Hombre" which was also the first at the start of 1995. La India and Gloria Estefan were the only female acts to reach number one in 1995. (Full article...)
    A young man with short black hair, singing with open arms.
    Luis Enrique was the first artist to reach number one on the Tropical Airplay chart in 1994.


    In October 1994, Billboard magazine established Tropical Airplay, a chart that ranks the top-performing songs played on tropical radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to an 1985 article by Billboard, tropical music is the "sound of the Spanish-speaking Caribbean – though it extends beyond it". It usually encompasses dance genres such as salsa, merengue, bachata, vallenato, and the Colombian cumbia and tropical music in Mexico. Five songs topped the chart in 1994 and 12 tracks did the same in 1995. Until November 5, 1994, BDS ran test charts which only listed the number one song of the week on Billboard's electronic database.

    The first song to reach number one on the Tropical Airplay chart was "Quién Eres Tú" by Luis Enrique which remained in the top spot for three weeks. It was replaced by La India's cover of "Nunca Voy a Olvidarte", making her the first female artist to reach the top of the chart. Both artists were the only acts to have more than one chart-topper in 1994. La India had the final number one song of the year with her rendition of "Ese Hombre" which was also the first at the start of 1995. La India and Gloria Estefan were the only female acts to reach number one in 1995. (Full article...)
  • Image 3 The Bellamy Brothers had their first number-one country single in 1979 with "If I Said You Had a Beautiful Body Would You Hold It Against Me". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1979, 33 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. Waylon Jennings, Anne Murray, Kenny Rogers, and Conway Twitty tied for the highest total number of weeks spent at number one in 1979, each spending five weeks at the top of the chart. Jennings, Murray and Twitty each had a run of three consecutive weeks at number one with "Amanda", "I Just Fall in Love Again" and "Happy Birthday Darlin'" respectively. The three songs tied for the longest unbroken run in the top spot during 1979 with "Every Which Way but Loose" by Eddie Rabbitt, "Golden Tears" by Dave & Sugar and "If I Said You Had a Beautiful Body Would You Hold It Against Me" by the Bellamy Brothers, each of which also spent three weeks atop the listing. Murray, Rogers and Twitty each had three number ones in 1979, the most by an individual act. (Full article...)
    Two grey-haired men wearing cowboy hats, standing in front of the sea at sunset
    The Bellamy Brothers had their first number-one country single in 1979 with "If I Said You Had a Beautiful Body Would You Hold It Against Me".

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1979, 33 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Waylon Jennings, Anne Murray, Kenny Rogers, and Conway Twitty tied for the highest total number of weeks spent at number one in 1979, each spending five weeks at the top of the chart. Jennings, Murray and Twitty each had a run of three consecutive weeks at number one with "Amanda", "I Just Fall in Love Again" and "Happy Birthday Darlin'" respectively. The three songs tied for the longest unbroken run in the top spot during 1979 with "Every Which Way but Loose" by Eddie Rabbitt, "Golden Tears" by Dave & Sugar and "If I Said You Had a Beautiful Body Would You Hold It Against Me" by the Bellamy Brothers, each of which also spent three weeks atop the listing. Murray, Rogers and Twitty each had three number ones in 1979, the most by an individual act. (Full article...)
  • Image 4 Reba McEntire was one of a large number of acts with two number one singles in 1986. She also performed on the year-end number one by Hank Williams Jr. but was not credited on the chart Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1986, 52 different songs topped the chart, then published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. No song managed more than a single week at number one during the year. The first number one of the year was "Have Mercy" by mother-daughter duo the Judds. In the fall, Conway Twitty achieved his 40th and final Hot Country number one with "Desperado Love", 18 years after he first topped the chart with "Next in Line". Twitty's total of 40 number ones would remain a record for the highest number of country chart-toppers by an artist until 2006, when the record was broken by George Strait. Two female acts tied for the most number ones of the year, each reaching the top spot three times: the Forester Sisters (including one in collaboration with the Bellamy Brothers) and the Judds. More than a dozen acts each achieved two number ones, including Crystal Gayle and Gary Morris, who each achieved one solo number one as well as performing together on the hit "Makin' Up for Lost Time (The Dallas Lovers' Song)". One of Juice Newton's two number ones, "Both to Each Other (Friends and Lovers)", a duet with Eddie Rabbitt, had originally been performed by Gloria Loring and Carl Anderson on the soap opera Days of Our Lives the previous year. The song was not initially released commercially, but after Newton and Rabbitt's version became a hit, Loring and Anderson's recording was released and topped the Hot Adult Contemporary chart, meaning that versions of the same song by two different acts were number ones in their respective genres within a month of each other. (Full article...)
    Reba McEntire
    Reba McEntire was one of a large number of acts with two number one singles in 1986. She also performed on the year-end number one by Hank Williams Jr. but was not credited on the chart

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1986, 52 different songs topped the chart, then published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. No song managed more than a single week at number one during the year.

    The first number one of the year was "Have Mercy" by mother-daughter duo the Judds. In the fall, Conway Twitty achieved his 40th and final Hot Country number one with "Desperado Love", 18 years after he first topped the chart with "Next in Line". Twitty's total of 40 number ones would remain a record for the highest number of country chart-toppers by an artist until 2006, when the record was broken by George Strait. Two female acts tied for the most number ones of the year, each reaching the top spot three times: the Forester Sisters (including one in collaboration with the Bellamy Brothers) and the Judds. More than a dozen acts each achieved two number ones, including Crystal Gayle and Gary Morris, who each achieved one solo number one as well as performing together on the hit "Makin' Up for Lost Time (The Dallas Lovers' Song)". One of Juice Newton's two number ones, "Both to Each Other (Friends and Lovers)", a duet with Eddie Rabbitt, had originally been performed by Gloria Loring and Carl Anderson on the soap opera Days of Our Lives the previous year. The song was not initially released commercially, but after Newton and Rabbitt's version became a hit, Loring and Anderson's recording was released and topped the Hot Adult Contemporary chart, meaning that versions of the same song by two different acts were number ones in their respective genres within a month of each other. (Full article...)
  • Image 5 Dan + Shay began the year at number one on both Hot Country Songs and Country Airplay. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology that had previously been used for several decades for Hot Country Songs. Both charts began the year with "Speechless" by Dan + Shay retaining the top spot from the final chart of 2018. The song remained atop the airplay chart for the first two weeks of 2019 before being replaced by "Good Girl" by Dustin Lynch, and held the top spot on Hot Country Songs for a further two weeks before Dan + Shay replaced themselves at number one with "Tequila". The latter song broke the record for the longest time taken to climb to number one on the Hot Country Songs chart, reaching the top spot in its 54th week on the listing. It reached the top of the chart more than six months after it had been number one on Country Airplay, and marked the first time for five years that an act had replaced itself at number one on Hot Country Songs. In early March, Luke Combs reached the top of both charts with "Beautiful Crazy" and topped both listings simultaneously for seven weeks. Industry observers reported that the track would have been replaced at number one on Hot Country Songs in early April by rapper Lil Nas X's song "Old Town Road" had Billboard not taken the decision to remove that track after its first week on the listing, contending that it did not sufficiently fit the country genre. This decision caused controversy: one former music label executive claimed that a similar track by a white artist would have been treated differently. (Full article...)
    Singers Dan + Shay
    Dan + Shay began the year at number one on both Hot Country Songs and Country Airplay.

    Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology that had previously been used for several decades for Hot Country Songs.

    Both charts began the year with "Speechless" by Dan + Shay retaining the top spot from the final chart of 2018. The song remained atop the airplay chart for the first two weeks of 2019 before being replaced by "Good Girl" by Dustin Lynch, and held the top spot on Hot Country Songs for a further two weeks before Dan + Shay replaced themselves at number one with "Tequila". The latter song broke the record for the longest time taken to climb to number one on the Hot Country Songs chart, reaching the top spot in its 54th week on the listing. It reached the top of the chart more than six months after it had been number one on Country Airplay, and marked the first time for five years that an act had replaced itself at number one on Hot Country Songs. In early March, Luke Combs reached the top of both charts with "Beautiful Crazy" and topped both listings simultaneously for seven weeks. Industry observers reported that the track would have been replaced at number one on Hot Country Songs in early April by rapper Lil Nas X's song "Old Town Road" had Billboard not taken the decision to remove that track after its first week on the listing, contending that it did not sufficiently fit the country genre. This decision caused controversy: one former music label executive claimed that a similar track by a white artist would have been treated differently. (Full article...)
  • Image 6 The Grammy Award for Best Urban/Alternative Performance was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality urban/alternative performances. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." The award was first awarded to India.Arie at the 45th Grammy Awards (2003) for her song "Little Things". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that had made "newly recorded urban/alternative performances with vocals". The award was intended to recognize artists "who have been influenced by a cross-section of urban music" and who create music that is out of the "mainstream trends". (Full article...)
    The Grammy Award for Best Urban/Alternative Performance was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality urban/alternative performances. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

    The award was first awarded to India.Arie at the 45th Grammy Awards (2003) for her song "Little Things". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that had made "newly recorded urban/alternative performances with vocals". The award was intended to recognize artists "who have been influenced by a cross-section of urban music" and who create music that is out of the "mainstream trends". (Full article...)
  • Image 7 Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1983, 50 different releases topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores. One of only two singles to spend more than one week at number one in 1983 was "Islands in the Stream", a collaboration between two of country's leading solo singers, Kenny Rogers and Dolly Parton. The song was a considerable crossover success, also topping the Adult Contemporary chart and reaching number one on the all-genres Billboard Hot 100. In 2005 the song topped a poll run by country music television channel CMT of the best country duets of all time. The only other multi-week number one was "Houston (Means I'm One Day Closer to You)" by Larry Gatlin and the Gatlin Brothers, which ended the year in the top spot. Five acts tied for the most number ones of the year, with three each, including Alabama, Crystal Gayle and John Anderson. Mickey Gilley achieved two solo number ones and also teamed with Charly McClain on the chart-topping duet "Paradise Tonight" and Merle Haggard similarly gained two solo number ones and spent a week at the top with "Pancho and Lefty", a collaboration with Willie Nelson. (Full article...)

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1983, 50 different releases topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

    One of only two singles to spend more than one week at number one in 1983 was "Islands in the Stream", a collaboration between two of country's leading solo singers, Kenny Rogers and Dolly Parton. The song was a considerable crossover success, also topping the Adult Contemporary chart and reaching number one on the all-genres Billboard Hot 100. In 2005 the song topped a poll run by country music television channel CMT of the best country duets of all time. The only other multi-week number one was "Houston (Means I'm One Day Closer to You)" by Larry Gatlin and the Gatlin Brothers, which ended the year in the top spot. Five acts tied for the most number ones of the year, with three each, including Alabama, Crystal Gayle and John Anderson. Mickey Gilley achieved two solo number ones and also teamed with Charly McClain on the chart-topping duet "Paradise Tonight" and Merle Haggard similarly gained two solo number ones and spent a week at the top with "Pancho and Lefty", a collaboration with Willie Nelson. (Full article...)
  • Image 8 The Grammy Award for Best Female R&B Vocal Performance (previously called Best Rhythm and Blues Solo Vocal Performance, Female) was an honor presented at the Grammy Awards, a ceremony established in 1958 and originally called the Gramophone Awards, to female recording artists for quality R&B songs. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that performed "newly recorded solo R&B vocal performances". Solo numbers by members of an established group were not eligible for the award as "separate entries from the duo or group performances." Albums were also considered for the accolade until 1992. (Full article...)
    The Grammy Award for Best Female R&B Vocal Performance (previously called Best Rhythm and Blues Solo Vocal Performance, Female) was an honor presented at the Grammy Awards, a ceremony established in 1958 and originally called the Gramophone Awards, to female recording artists for quality R&B songs. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

    According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that performed "newly recorded solo R&B vocal performances". Solo numbers by members of an established group were not eligible for the award as "separate entries from the duo or group performances." Albums were also considered for the accolade until 1992. (Full article...)
  • Image 9 The Black Eyed Peas' "I Gotta Feeling" was the most-broadcast radio song for eight weeks. Since July 2009, Israeli broadcast monitoring service Media Forest has been publishing four rankings which list the top ten most-broadcast Romanian and foreign songs on Romanian radio stations and television channels separately on a weekly basis. Nine radio stations—Europa FM, Info Pro, Kiss FM, Magic FM, National FM, Pro FM, Radio 21, Radio România Actualități and Radio ZU—and five television channels—1 Music Channel, Kiss TV, MTV Romania, Party TV and UTV Romania—were taken into consideration for the charts' compilation in 2009. They are based on the number of times tracks are broadcast, determined by acoustic fingerprinting. Media Forest also releases year-end charts in regards to the radio airplay, listing the most-broadcast songs of Romanian origin of the respective year, weighted by the official audience numbers provided by Asociația pentru Radio Audiență (Romanian Association for Audience Numbers). David Deejay and Dony reached number one on the 2009 ranking with "So Bizarre". In 2009, eight and eleven singles were listed by Media Forest as the most-broadcast tracks on radio and television respectively. The first were "Takin' Back My Love" by Enrique Iglesias and Ciara (radio) and "Undeva-n Balcani" by Puya and George Hora (television) in July 2009. "I Gotta Feeling" by the Black Eyed Peas spent eight weeks as the most-broadcast single on radio stations, longer than any other, while in terms of television airplay, this feat was achieved by Edward Maya and Vika Jigulina's "Stereo Love" with a total of six non-consecutive weeks. "Chica Bomb" by Dan Balan was the final top song of 2009 on both listings. (Full article...)
    Four people, three men and a woman, are seen performing on a stage.
    The Black Eyed Peas' "I Gotta Feeling" was the most-broadcast radio song for eight weeks.

    Since July 2009, Israeli broadcast monitoring service Media Forest has been publishing four rankings which list the top ten most-broadcast Romanian and foreign songs on Romanian radio stations and television channels separately on a weekly basis. Nine radio stations—Europa FM, Info Pro, Kiss FM, Magic FM, National FM, Pro FM, Radio 21, Radio România Actualități and Radio ZU—and five television channels—1 Music Channel, Kiss TV, MTV Romania, Party TV and UTV Romania—were taken into consideration for the charts' compilation in 2009. They are based on the number of times tracks are broadcast, determined by acoustic fingerprinting.

    Media Forest also releases year-end charts in regards to the radio airplay, listing the most-broadcast songs of Romanian origin of the respective year, weighted by the official audience numbers provided by Asociația pentru Radio Audiență (Romanian Association for Audience Numbers). David Deejay and Dony reached number one on the 2009 ranking with "So Bizarre". In 2009, eight and eleven singles were listed by Media Forest as the most-broadcast tracks on radio and television respectively. The first were "Takin' Back My Love" by Enrique Iglesias and Ciara (radio) and "Undeva-n Balcani" by Puya and George Hora (television) in July 2009. "I Gotta Feeling" by the Black Eyed Peas spent eight weeks as the most-broadcast single on radio stations, longer than any other, while in terms of television airplay, this feat was achieved by Edward Maya and Vika Jigulina's "Stereo Love" with a total of six non-consecutive weeks. "Chica Bomb" by Dan Balan was the final top song of 2009 on both listings. (Full article...)
  • Image 10 Craig Morgan's song "That's What I Love About Sunday" was named the number-one country song of 2005 by Billboard;it remains his only number one hit as of May 2022[update]. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2005, twenty different songs topped the chart, published under the title Hot Country Singles & Tracks through the April 23 issue, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen SoundScan. Singer Blake Shelton's song "Some Beach" was at number one at the start of the year, having risen to the top in the issue of Billboard dated December 25, 2004. The song remained at number one for three further weeks until it was replaced at the top by "Awful, Beautiful Life" by Darryl Worley in the issue dated January 22. Australian singer Keith Urban spent the most weeks at number one in 2005, with eleven, comprising five weeks with "Making Memories of Us" and six with "Better Life", the latter of which tied for the most weeks at number one by a single song with "As Good as I Once Was" by Toby Keith. Two other acts reached the top of the chart with more than one song in 2005. Brooks & Dunn topped the chart with "It's Getting Better All the Time" in May and "Play Something Country" in September, although each only spent one week at number one. Rascal Flatts, in contrast, spent eight weeks in total at number one with their two chart-toppers, "Bless the Broken Road" and "Fast Cars and Freedom". (Full article...)
    A dark-haired man playing a guitar and singing into a microphone in front of the American flag
    Craig Morgan's song "That's What I Love About Sunday" was named the number-one country song of 2005 by Billboard;it remains his only number one hit as of May 2022.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2005, twenty different songs topped the chart, published under the title Hot Country Singles & Tracks through the April 23 issue, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen SoundScan.

    Singer Blake Shelton's song "Some Beach" was at number one at the start of the year, having risen to the top in the issue of Billboard dated December 25, 2004. The song remained at number one for three further weeks until it was replaced at the top by "Awful, Beautiful Life" by Darryl Worley in the issue dated January 22. Australian singer Keith Urban spent the most weeks at number one in 2005, with eleven, comprising five weeks with "Making Memories of Us" and six with "Better Life", the latter of which tied for the most weeks at number one by a single song with "As Good as I Once Was" by Toby Keith. Two other acts reached the top of the chart with more than one song in 2005. Brooks & Dunn topped the chart with "It's Getting Better All the Time" in May and "Play Something Country" in September, although each only spent one week at number one. Rascal Flatts, in contrast, spent eight weeks in total at number one with their two chart-toppers, "Bless the Broken Road" and "Fast Cars and Freedom". (Full article...)
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